Copyright

Madina Tlostanova

Published On

2024-04-22

Page Range

pp. 119–134

Language

  • English

Print Length

16 pages

5. You Can’t Go Home Again… Especially if You Have Never Had One

Starting from the premise that any childhood is existentially tragic, this fictionalized memory reflects on the last Soviet generation of children as a lost generation. This chapter is written as a memory stream based on free associations, and it dwells on the major leitmotifs and recurrent sensibilities that have shaped the author’s experience as a member of this generation. Following her personal trajectory, the memory stream refers to the symbol of the vertical, to the sense of being lost both literally and symbolically, to specific ways and strategies of hiding in her own world and rejecting the outside reality. These personal paths combine with more general patterns of double consciousness and redoubling of the world that generated a cynical framework in its late-Soviet children’s version: an urge to make their own escapist forms of alternative realities and internal emigration models in the decade just before perestroika. The chapter touches upon key late-Soviet oppositions that children of the 1970s learned to identify from early on in order to survive. It also considers the ethnic-racial and religious differences that affected the lost generation’s internal erosive processes.

Contributors

Madina Tlostanova

(author)

Madina Tlostanova grew up in the North Caucasus in the 1970s–1980s. In her fluid identification, she combines indigenous Circassian and Uzbek origins linked to the darker colonial spaces and histories of the Soviet empire. Having spent three decades in the belly of the beast (Moscow) she finally moved to Sweden in 2015 to make one of her previous hobbies, feminist and gender studies, into a ‘profession’. She is a decolonial feminist thinker and writer, professor of postcolonial feminisms at the Department of Thematic Studies at Linköping University, Sweden. She focuses on decolonial thought, postsocialist human condition, artivism, feminisms of the Global South, critical future studies. Her most recent books include What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press 2018), A New Political Imagination: Making the Case (co-authored with Tony Fry, Routledge 2020), Decoloniality of Knowledge, Being and Sensing (Almaty, Kazakhstan: Center of Contemporary Culture Tselinny 2020), and Narratives of Unsettlement: Being Out-of-Joint as a Generative Human Condition (Routledge 2023).